Arduin Grimoire, Part IV
Out Of Alignment
BTW, in case anyone stumbles on one of these pages out of order, and wonders how to
get the hell away find the rest, I’m trying to gather them all here. Enjoy. Or not. It’s up to you, really. Who am I to tell you what to do?
So, in this post, we look at “Notes on Fantastic Beings”, and alignment. Sorry, allignment. For charcters. Sorry, characters.
Fantastical Beasts And How To Kill Them
Or, more accurately, “Notes On Fantastic Beings”.
Those of you more used to modern games, with their 256 page hardbound books detailing every aspect of a race’s culture, heritage, history, and preferred sexual positions might be a little aghast, possibly even awight or aspectre, at how little information was generally provided back in Ye Olden Dayse, and Dave Hargrave’s writing style was nothing if not terse. He had, after all, an imagination that spanned multiple infinities, and a hundred half-size pages to try to cram it into. So, we get to these two pages of “Notes”, where all the infinite complexity and depth of distinct and unique species were reduced to a line of text.
And we loved it. Well, I loved it, at any rate. I want just enough to get my mind going, just enough to provide the most basic platform for a shared conversation. When I buy a game, I want my crunch detailed out to the difference in damage potential between Pewter Mug, Hurled and Silver Tankard, Hurled, and my fluff to be basically someone leaving a sticky note on the page reading “put fluff here”. (Not applicable to games set in commercial universes, where I mostly buy them for the fluff.)
Thus, we learn that Hobbitts(sic) are “Happy, hungry” and “Always eating, brave but usually inept.” We learn that kobolds gang up on both thieves and cripples, and, by inference, the value of a semicolon vs. a comma. (We also see the root of many battles between players and DMs on the literal vs. intended meaning of the rules, with the battle lines being clearly drawn: If the literal reading favors you, argue it; if the intended reading favors you, argue it; and if neither the literal nor the intended reading favors you, buy the DM Chinese food.)
So, from this we learn orcs are immortal, elves are in self-denial, amazons are pushy lesbians, and (on a page I didn’t scan) that harpies, furies, and gargoyles are “erratic, fanatical, and sadistic”. We also learn that genetics in Arduin were pretty darn fluid, and that human-giant matings were possible, though, thankfully, the exact details of the process were left out.
I seem to recall a “kobbit” is a kobold/hobbitt(sic…k of typing ‘sic’, just deal with Mr. Hargrave’s “Please Don’t Sue Me” spelling) crossbreed, which is kind of gross, but “kobolds” back then were generally closer to their mythic origin as fey “little people” and less “tiny little dragon folk with serious delusions of grandeur”.
It is interesting how most of the non-human races had long, even unending, lifespans — a definite flip on the D&Dism that all the ‘evil’ races died young (to explain their ability to breed in massive numbers so that dungeons were perennially replenished with mooks).
Come Up With Another Clever Pun On ‘Alignment’ Before Posting This
Seriously, This Better Not Show Up In The Final Article
Alignment wars began pretty much with the publication of OD&D, and I don’t mean “The cosmic battle of law vs. chaos” alignment wars, I mean “The comical battle of rules lawyers vs. each other” alignment wars. The exact boundaries of law, chaos, good, evil, what they meant, what they controlled, if paladins who slaughtered pregnant orcs also got XP for the fetuses, etc. Thomas Aquinas himself would be puzzled by that last one. (No, that’s not from one of my personal experiences, sadly/gladly. That was mentioned in a recent Knights Of The Dinner Table strip, and the fact it rang true tells you a lot. If you truly want to understand a culture, read its insider humor, says Lizard.)
Such debates have run to terabytes of terrifying text (I do get paid by the Alliteration Alliance Of America, why do you ask?), and I, in the words of Whitman, “have contributed a verse”, if “Look, lint-for-brains, even given your established stupidity and bull-headedness, your latest piece of word-salad drivel reaches new heights of incredibly inchoate incomprehensibility” is “a verse”.
Mr. Hargrave, however, strips all of that down to a simple, single, page that clearly answers all possible questions.
Or, perhaps, not. But as with most of his work, it aims to inspire more than to inform, and that’s not wrong.
It is perhaps worth noting the chart discusses the “Charcter” and “Allignment” of players, and if one interprets “Character” to mean “Morality and Ethics”, then, the chart is actually for the people sitting around the table, which might say a lot about who Dave gamed with.
Note: I will occasionally (often) make fun of the various typos and idiosyncratic spellings in these books, because that’s what I do… mock people who are a thousand times more creative than I could ever be… but it’s also important to remember they were written in an era when self-publishing was barely a step above chiseling words into stone. You couldn’t just edit your files on a word processor and make changes when you spotted them; redoing layouts was slow and very expensive. Besides, constantly reading, editing, and rewriting runs counter to the raw exuberance of unfettered creation; the more you question the technical details of your work, the more likely you are to begin questioning your ideas, and if you do that, you don’t have kobbit barbarians venturing side-by-side with phraint thieves and half-elf star-powered mages. (I think half-elves could be SPMs… we’ll know when we get to Book 3, The Runes Of Doom.)
And I think I’ll declare that any similar errors found in these pages is my attempt to capture the true spirit of the age, and not merely laziness or incompetence on my part. Yeah. That’s the ticket.
(“But, Lizard! How can you post a huge rant on the importance of proper grammar, and then handwave away your own mistakes?”
“Pshaw, that’s easy. Rank hypocrisy.”
“Oh, OK, then.”)
But enough about me. (Ow… even typing those words hurt my soul.) Let’s look at the chart. First, you’ll notice a lot more alignments. (No, I’m not going to keep typing ‘allignment(sic)’. Even I know when to stop running a joke into the ground. I usually don’t stop, but I know when to. And knowing is half the battle.) The Arduin Grimoire was published in 1977, before most of AD&D came out, and the D&D world was still transitioning. Alignments had gone from three, to five, to nine, in just few years… and many early players, seeing the flaws of the original L,C,N system, were creating their own before Gygax could jump in. We see, thus, shadows of homebrew rules mixed in with the changes to the “core” rules.
It’s, Erm, Sort Of A Lame Pun On ‘Factorials’, Which Doesn’t Really Make Sense
Give Me A Break, I Have A Fifty Hour Work Week+2 Hour Commute And I Don’t Get Paid To Write This, You Know.
My Paypal Is firstname.lastname@example.org. Just Sayin’.
So, we have Kill Factor, Lie Factor, Tolerance Factor, etc. These are used to… erm… uhm… well, basically, there’s no real rules for them. Everyone buying the Arduin Grimoire, unless they happened to know Dave personally, could interpret these numbers however they chose. It’s interesting that even in those earliest days of gaming, there was a nascent push towards personality mechanics, something to reinforce, with dice, what it said on the tin, if your character sheet was printed on tin.
“Lie Factor” is kind of interesting. I mentioned typos earlier. Well, one such typo in original D&D was an entry for “%Liar” on every monster. It was supposed to be “%Lair” — the odds that a monster, when randomly encountered, would be in its lair, where it had a lot more treasure. However, early players, taking the rules as written, often interpreted it literally. Dave Hargrave included “%Liar” in the monster section of the Grimoire, which we’ll get too eventually. The context around these entries made it very clear he did, indeed, mean “Liar” and not “Lair”. Murphy’s Rules later dinged him on this, noting he had simply imitated D&D, and he responded with, sadly, an all too typical reaction, insisting he’d always meant for Greedo to shoot first…. erm, that Arduin was a free-standing game and not an ‘imitation of D&D’. Yeah, right. It is, in fact, possible for me to consider Mr. Hargrave a Greater God (400 HP and all!) in my personal pantheon of creative influences, and still roll my eyes and sigh at the kind of self-delusion that would cause him to make such a claim. Everything about the original Arduin Trilogy speaks to its role as a supplement to D&D.