(Not So) Great Moments In Marketing, Dungeons & Dragons Fifth Edition

Wizards of the Coast Announces Thrilling Dungeons & Dragons Launch for Summer 2014 | company.wizards.com.

From the linked article:

“Players fight the most fearsome monster of all time in an exciting multi-platform gaming experience”

This isn’t the most compelling ad copy I’ve seen. It’s a very generic, bland, statement that seems to have come out of the BuzzWordOMatic 5000. Can you imagine someone trying to describe their last game of D&D this way? “Man, we fought the most fearsome monster of all time in an exciting multi-platform gaming experience! And then, Fred proactively leveraged his synergies to increase cross-market upsell with positive feedback redundancies and integrated vertical applications focused on dynamic buy-in transitions for high monetization over short term projections! And he rolled a 20!”

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An Awesome Image Of Some Place With Cool Light And Stuff

It’s been bloody forever since I just posted a cool image that might be inspirational in gaming. So, here you go.

Some Cool Image I Found

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A Minor Diversion Into Artsy English Major Stuff

I’m doing another editing pass on Rogue Planet, in preparation for the final push to print. One of the interesting things about writing is when you set aside a document for a while, and then return to it, you can see things differently. Your brain is no longer filling in gaps automatically, and you have a distance from the text that enables you to approach it more objectively, as a reader more than as a writer.

I have read articles from writers that describe how they agonize over symbols and tropes and themes, how they decide that they’re going to use the Burger King Star Wars glasses their protagonist got as a 12 year old as a recurring symbol regarding hope and loss and memory and blah blah blah (I wish I still had mine, they’re apparently worth a bloody fortune now). Me, I don’t do that. I may agonize over extremely trivial details absolutely no one is going to care about, often just to add flavor text to a throwaway bit of dialogue somewhere. (For example, I just now looked up if it was “dialogue” or “dialog”, and the answer I got was “Meh, no one knows.”) I have often said I am not so much a world builder as a world explorer, and when it comes to writing, I am less author and more chronicler. The characters do what they do, and I write it down. When I find writing is difficult, when the words dribble out in the way molasses didn’t in Boston, 1919, it’s because I’m trying too hard to write a story as opposed to report a story.

Any symbolism, patterns, or themes that might appear in my work, therefore, are a total surprise to me, and yet, they’re there. Some literary type reading my work in the future (yeah, right) might see purpose or planning, but my writing, like the universe itself, is a thing in which someone may perceive patterns, not a thing in which patterns were placed. Any apparent order or purpose, in either reality or in my books, is entirely illusory.

Warning: Some extremely minor spoilers for Rogue Planet and the bonus prequel story follow.

In the first chapter of Rogue Planet, I have tossed in a minor bit of characterization regarding a character’s disbelief of living testimony vs. a handful of paperwork. The Official Word As Printed On The Official Form ought to trump any corrections from the actual subject of the document. (One sees this also in Wikipedia editing, where the actual subject of an article is not considered an authoritative source.) Much later in the book, a chunk of plot turns on this same concept, on a larger scale, where automated systems follow their orders to the letter, any contradictory facts be damned! This can be considered “intentional” in that I consider bureaucracy to be both hilarious and tragic, depending on how much hold it has over someone’s life, but I never consciously thought, “I’m going to echo this theme from the beginning to the end of the book.” It’s a trope I am drawn to, so it’s going to show up unless I go out of my way to avoid it. (Trying to write without tropes is a moronic thing to do, but you always get people who think you can tell a story, or create a character, without using any number of established tropes; this is like trying to build a house without using any tools or construction materials.)

Likewise, the cultures of Rogue Planet, descended from “social deviants” (as the characters in the prequel story (currently titled “Approval Not Required”) refer to them) tend to be very focused on deals, bargains, honor, and suchlike. Debt, obligation, and duty are all regularly referenced. A larger part of this is due to genre tropes: Vows, oaths, loyalty, and bonds of honor and friendship are all major aspects of this type of story. Backstabbing weasels are the villains. Today, when I was thinking about “Approval Not Required”, it occurred to me that all the main characters are engaged in plots, counter-plots, manipulations, etc. Without ever consciously intending to do so, I’d created an interesting thematic contrast: The criminal descendants are more concerned with honor and duty than the governing authority that sent their ancestors there in the first place. If I’d sat down and decided “Oh, I’m going to make a Big Statement here”, I think it would have been ham-handed and dull. I didn’t realize that there was a Statement until I looked over the two stories from a bit of a distance. In both cases, the characters, and their actions and values, grew out of the general tone of the story. At the time I was writing Rogue Planet, I had no plans to write the prequel story; as I wrote the prequel story, I was most interested in adding details and background to established facts. I never thought much about “theme” or “concept” or “meaning”.

So my point? Not sure, really. “Don’t believe everything your English teacher tells you” would be one, I suppose. “One of the best parts of creating is being surprised by your own creation” would be another. If I had any shred of religious sentiment, I would argue that this is why a deity would create a universe: To be surprised. As a GM, pretty much the same thing as being a god, only without any hint of respect or admiration, that is definitely one of my motivations: To create a world and then see what players do to it. Being an author is like that, but without the players. You’d think it would make as difference in the degree of surprise, but surprisingly (heh), it doesn’t. The imaginary people that live in my head are nearly as confusing as the presumably non-imaginary people that live outside my head.

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Treacherous Traits

Treacherous Traits

Four entries in one month! Continuing the Blog Carnival theme of Gunpowder, Treason, and Plot, I now look at Traits which might be useful to conniving backstabbers of various sorts. I like Traits. I introduced a concept I called “Lesser Feats” for a D20 book which sadly didn’t go to press due to the D20 implosion. Traits are pretty much the same thing. They address what I consider one of the worst aspects of feats, the one-size-fits-all mentality, when it’s patently obvious that feats vary considerably in utility. Many are nifty concepts that add unique flavor to characters, but they can’t “compete” with those that provide general benefits that affect play many times per session.

Anyway, with the focus on being sneaky, underhanded, and duplicitous, here’s an assortment of additional Traits. I am designing these with the idea that Traits need not be selected only at 1st level, as there’s a feat which allows you to pick 2 Traits later on. Thus, some of these Traits might be more useful to higher level characters, or reflect training/knowledge/etc. gained in adventuring life.

Combat Traits

Bad Medicine

You did all you could, but you just couldn’t save him…

When you make a Heal check to stabilize someone, you may instead choose to take full-round action and perform a coup de grace, doing 1d3 damage, +1 per rank in Heal. Make a Bluff check, opposed by the Heal (not Perception) checks of any witnesses, to avoid being noticed. You must have at least 1 rank in Heal, or your actions will be too obvious.

Some GMs may feel this is simply a creative trick anyone with the right skills could try. If so, this Trait instead gives you a +4 Trait bonus on the Bluff check, and increases the base damage to 2d4.

Deep Wounds

When you take them down, they don’t get back up.

Whenever your melee attacks reduce someone to fewer than 0 hit points, but do not kill them outright, they have a -3 modifier to all checks to stabilize. This applies to any Heal checks made to help them stabilize, as well.

Iocane Immunity

You have gained a resistance to certain poisons.

Pick a number of poisons equal to 1+your Constitution modifier. You have a +2 Trait bonus on all saving throws vs. those poisons, and if you fail your save, any ability damage is reduced by 1. You may take this Trait up to three times, picking additional poisons each time. If your Constitution modifier changes, adjust the number of poisons appropriately. (The GM may rule some poisons are not permitted, or that your character would not have had access to them.)

Equipment Traits

Harmless Trophy

The rusty, dull, dagger you carry is a souvenir of an ancient battle, and useless as a weapon.

You gain a +4 Trait bonus to Bluff or Disguise checks (as appropriate to the situation) to make a weapon seem as if it has the broken condition, or is otherwise harmless — for example, appearing to be securely peacebound when it is not, or has a razor edge covered with a thin strip of metal to make it appear dull.

Magic Traits

Fading Magic

You leave behind little trace of any spells you may have cast.

Magic cast by you leaves a weaker aura behind. When checking for how long an effect lingers, reduce the die roll by half your Intelligence bonus (minimum 1). If this results in a value of 0, treat it as a roll of 1, but of the next lowest strength level (so moderate becomes faint).

Headology

Once you know something about someone, you can shape your magic to suit their nature.

If you have spent at least a few minutes talking to someone, your Enchantment (Charm) and Illusion (Phantasm) spells are more effective against them. They suffer a -1 penalty to saving throws against such spells. If you know them well (At least several days acquaintance, at the GM’s discretion), this increases to -2.

Paranoia

You always know when someone’s watching.

You may add your Intelligence bonus to any Perception checks to notice if someone is using magical divination against you. Any spells you cast which are intended to counter or fool divination spells (such as obscure object or nondetection) are cast at +1 caster level.

Religion Traits

Plane Dealer

You have an instinctive grasp of the nature of creatures from other realms.

When dealing with Outsiders, you gain a +2 Trait bonus to Diplomacy or Sense Motive checks. This increases to +3 if they share your alignment.

Social Traits

Card Sharp

Those who gamble with you might think you have the devil’s own luck, but you are leaving nothing to chance.

You have a +4 trait bonus to Sleight of Hand checks when cheating at games of chance. This applies to any game where you can physically manipulate the components — dice, cards, playing pieces (even chessmen). It doesn’t apply to situations where you can’t do this (such as betting on a horserace). The GM will judge if you’re able to apply this trait in a given set of circumstances.

Learned Liar

It always helps to salt a lie with a little truth.

Choose a Knowledge skill. If you have four or more ranks in that skill, you gain a +2 Trait bonus on any Bluff or Disguise check that relies at least in part on that area of learning. For example, four or more ranks in Knowledge (Nobility) can give you a +2 Trait bonus on lies involving local lords, or when disguised as a member of a royal household. You can take this trait multiple times. It applies to a new area of learning each time.

Flaws In The Tale

You quickly spot inconsistencies in someone’s story.

You may use your Intelligence bonus, rather than your Wisdom bonus, when making Sense Motive checks to counter a Bluff check. This does not apply to feint attempts, but only to conversations or other situations where a keen intellect might come into play.

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Ten-Fold Pouch

The Ever Shifting Pouch

In what may be a record since I gave up on daily updates several years ago, three entries in one month — and it’s only the ninth! Continuing the Blog Carnival theme of Gunpowder, Treason, and Plot, I present yet another magic item of utility to those whose activities are more “daggers and duplicity” than “dungeons and dragons”. Hmm. I really like that. “Daggers & Duplicity”. Might even try to use it as a project title someday. Or something. Wait, where was I?

I had an idea… it was something about a bag… look, it’s 6:10 AM and I’ve only had four hours sleep, give me a frakkin’ break here… bag… bag… right!

Bags of holding, handy haversacks, and the like are really great. But as anyone who has had to enter any government building or airport since 9/11 knows, we have a great deal of useless security theater. Also, they’re going to check your bags. Absolute monarchies overseen by paranoid tyrants with unlimited authority and no respect for human rights might not be quite as bad as the DHS, but they’re still pretty nasty, and if your “bag” is large enough to hold a few dozen mercenaries, they’re going to be just a tad suspicious.

Thus, the ten-fold pouch.

EDIT: Weight notes added.

Aura moderate conjuration; CL 9th

Slot —; Price 3000 gp (possibly more; see below); Weight see below

Unlike many similar items, such as a bag of holding, the ever-shifting pouch holds exactly as much as one would expect — typically, either a belt pouch or a small sack. Taking items out and putting them back in evinces no unusual properties or behavior.

Speaking the correct command phrase, however, reveals the true nature of the ever-shifting pouch. It is actually ten pouches, dimensionally folded together. Thus, the command word has two parts: The first activates the magic, the second determines which of the ten becomes “active”. Each one is normal in every way. If one is damaged, ripped, or torn, the others are unaffected, though at least 90% of the “active” pouch must remain in a single clump in order to access the others. If it’s torn in half or otherwise dismembered, the magic is shattered, and the other nine are dumped into the Astral Plane, which can lead to serendipitous discoveries by travelers in that strange realm.

If placed into another extradimensional space, the pouch cannot be shifted or cycled; whichever one was active at the time remains active.

Speaking the command phrase is a free action. The pouch can only shift once per round, however, and removing items from it follows normal rules for such things.

Each of the ten pouches can be of a unique design or style. Generally, the capacity of each is about 1/2 a cubic foot and up to 15lbs of material can be stored. Variations of up to 20% larger or smaller per pouch are not unknown. This adds a secondary utility to the item: Aiding in disguise. Dress as a wealthy merchant, speak the appropriate command phrase, and the pouch shifts to one made of finely tooled leather, decorated with well-made fake gems. (For real gems, add their cost to the cost of the ten-fold pouch.) Dress as a mercenary, and the pouch may be worn and stained with interesting bodily fluids. The descriptions of each of the ten should be specified by the GM or by the maker of the pouch; they are fixed at the time of creation, as ten actual pouches must be used to form the item. For those with no concern for such niceties, simply assume they’re all equally nondescript.

The weight of the pouch is equal to that of the heaviest of the set, regardless of which is active. This is perceived by the wearer and calculated into their encumbrance, but a third party inspecting the bag will notice only the weight of the visual contents.

Construction Requirements

Craft Wondrous Item, secret chest; Cost 1,250 gp (plus the cost of 10 pouches, usually 1 gp each, unless special materials or fine workmanship is involved.)

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Dagger Of Silent Slaying

The RPG Blog Carnival for November has a theme of “Gunpowder, Treason, and Plots”. This is my second item inspired by the theme; the first is here.

You know how it is. You’re skulking through dark passageways to commit an assassination, and some annoying guard walks by. You try to kill him, but it takes four rounds, and meanwhile, he’s screaming his fool head off (before you cut it off, that is). This dagger removes that problem. Removing the guard is up to you.

Only those who have studied both the art of magic and the art of shivving someone in the giblets can craft one of these blades. Priests of assassin gods, actual assassins, and bards of a particularly larcenous nature are the usual makers.

Addendum: This should be considered a +1 dagger; the cost assumes the enchantment is about equal to another +1.

Dagger Of Silent Slaying

Aura faint abjuration CL 5th; Weight 1 lb.; Price 8,302 gp

Description

This +1 dagger typically has a slim, slightly curved blade, and a hilt of ebony and jade. (However, many variations exist, and this is sometimes found as a different weapon type, though it is always a one-handed, light, melee weapon.) It makes no noise when drawn from its sheathe, when dropped, or even when struck against an object. On one occasion, this odd feature caused a target to believe the dagger was a silent image, and to laugh at how he’d seen through the wielder’s bluff, right up until the dagger slit his throat.

Anyone carrying the dagger on their person (but not in any kind of extradimensional space) gains a +2 circumstance bonus to Steath checks vs. hearing. However, the real utility of the dagger comes when it is used to inflict precision damage (such as sneak attack) on a target. The target cannot speak above a gargling whisper for 1d4 rounds, +1 round per die of precision damage. Each additional attack that deals precision damage while the target is silenced increases this by 1 round. “The more you stab, the more they shut up”, as the saying goes.

Anyone afflicted by this effect who casts a spell with a verbal component must make a caster level check at a DC of 15+Spell Level to do so. Language-dependent spells, and any spells with the [Sonic] descriptor, are ineffective: While they can be cast, they will simply not function, and the spell is lost. (Before deciding to attempt such a spell, the caster should get an automatic Knowledge (Arcana) or Spellcraft check (DC 13) as a free action if they are trained in either skill. If they succeed, they know not to waste their time. If they’re not trained in either, too bad. No free check. Any caster who doesn’t pump their relevant skills deserves to die.)

Construction Requirements: Craft Magic Arms and Armor; silence; must be able to do at least 1d6 precision damage. Cost 4,302

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Mask Of Infinite Alignment

The RPG Blog Carnival for November has a theme of “Gunpowder, Treason, and Plots”. I will be attempting to post content appropriate to this theme as I come up with it. For starters, here’s a nice little magic item of great use to anyone plotting treason, whether or not it involves gunpowder. The problem with “Undetectable Alignment” spells is that they’re a lot like pleading the Fifth… you look guilty. Can’t find the Chaotic Evil ranger in the room, but there’s one guy holding up a lead sheet? Gee, that’s not suspicious at all! This mask neatly solves that problem.

Mask Of Infinite Alignment

Aura moderate illusion and transformation; CL 5th
Slot head; Price 16,000 gp; Weight 3 lbs.

DESCRIPTION

When first found, this mask shows an ever-changing pattern of images and symbols of the nine alignments, along with changes in its composition and tone to reflect this — a perfectly symmetrical mask of mithral when lawful good symbols are dominant, or a malformed mask of cracked iron for chaotic evil. When worn, it takes on a shape consistent with the alignment of the wearer, but at a thought, it fades from view.

So long as the mask is worn, the wearer may appear, to detection magic, to be of any alignment desired. Changing the seeming alignment is a standard action that does not provoke an attack of opportunity. The mask grants a +10 competence bonus to any Bluff checks to evade non-magical detection. When magical detection is used, the caster must make a Sense Motive check against the wearer’s unmodified Bluff check; if this check fails, the alignment of the mask is detected. If the check succeeds, the caster of the detection spell senses the mask’s supposed alignment, but knows it to be false.

Three times per day, the wearer of the mask may cast align weapon, as a fifth level caster, on any weapon they are holding, using the mask’s alignment instead of their own.

5% of these masks are known to be cursed, so that each time they are used, there is a 10% chance of the alignment change becoming permanent. If this happens, the curse will not affect the same wearer a second time. For that person, the mask becomes a normal, uncursed mask. The curse will still affect other wearers of the mask.

True Seeing will allow any alignment-detecting spell to instantly penetrate the mask.

Construction Requirements

Craft Wondrous Item, Undetectable Alignment, Align Weapon Cost 8,000 gp.

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Necromican, Level 10 And Up!

Necromican, Level 10 And Up

What Do You Mean? Nine’s As High As Spells Go

Nope, These Go To Eleven Twelve

Necromican

Necromican

OK, Boils and Ghouls! The last part of this series covers the seriously munchkin stuff, without the John Kovalic art. For earlier parts of this series, click one of the preceding words, each one takes you to a different part. For this part of this series, keep reading.

This booklet shows off one of the best parts of Old School Gaming — sheer over-the-topness, for when Power Word Kill and Wish just aren’t good enough. If you’re fighting galactic dragons, after all, they’re not! Forget all that Fantasy Fucking Vietnam and “let’s pour water on the floor and see how it pools” crap. In this kind of Old School play, if you wanted to find a pit trap… nah, you never wanted to find a pit trap. You were too busy casting Summoning Of The Black Hole. Not a euphemism.

As usual, this will be a selected subset of the wonderment that lies within, not an exhaustive repetition of the contents.

Tenth Level Spells

Duplication

This spell creates 1-4 duplicates of the caster, without his magic items. It’s not clear if this means that if he’s wearing a magic wizard robe, and nothing underneath it, his duplicates appear with a non-magic version of the same robe, or naked. I suppose it depends on the emotional maturity of the DM and his fellow players. Given the state of gaming culture at the time…

Player 1: Oh, I know! I’ll cast Duplication!
DM: OK, you get (roll) 2 duplicates. They’re naked.
Player 2: (Snorting laugh) Dude, we can see your thingie!
Player 1: Can not! Shut up!
Player 3: Oh, gross! Isn’t your magic user 30 or something? That’s ancient!
Player 2: Yeah, I bet it’s all warty!
Player 1: SHUT UP!

The spell also notes, wisely, that duplicates cannot duplicate themselves. Hey, it was the first thing I thought of, and I guarantee you that line was added after the first time the spell was used in play to create Infinite Magic Users, presumably with infinite warty thingies. (Would “Infinite Warty Thingies” be a good name for a band? Probably not.)

Cube Of Space

This spell create a 10′ by 10′ by 10′ cube around the caster. Each face of the cube is a “portal into deepest outer space”. So, someone shoots an arrow into the cube, it goes into space, and possibly hits a small space-worm, who just says “Oh no, not again.”  Anyone charges at the caster, they’re tossed into space. It’s a one-way trip; the cube can’t be re-entered from the space side. It’s not clear, from the description, if the caster can fire out of the cube or not, which is kind of key. If they can, they can sit there like an artillery unit and blast the crap out of things. If they can’t, this is mostly defensive.

Excellent Prismatic Spray

Roll To See What Drop Off

Roll To See What Drop Off

Why should Gary Gygax be the only one to rip off Jack Vance? This spell is actually closer to the one in the Dying Earth novels than the AD&D spell of nearly the same name. Perhaps that’s why this one is the Excellent Prismatic Spray. (Coming soon: Enterprise Edition Prismatic Spray, Prismatic Spray Lite, Prismatic Spray for Workgroups…) Anyway, you cast this spell at a single target, and it dices him into 1-10 pieces, and you roll on the accompanying chart to see which pieces they are. For non-humanoids, you are instructed to “simply draw charts similar to this one”.

It’s kind of worth noting that there’s no specific rules for the damage done by any part being lopped off, or any other effects. “OK, you’re dead.” “Why?” “You got both your legs chopped off! And your thingie!” “So, I didn’t take any damage.” “Yeah, but you’re totally bleeding everywhere!” “Since when? You never bleed from wounds in D&D. I just have to crawl!” “No, you’re dead!” “Are you still mad about that pizza thing? I told you, I thought you’d taken your slice. Give it a rest, man.” Also, does a roll of 8 mean you lose your fingers? What if you were holding your hands in a different position, because, like, I totally was. My hands were nowhere near that ray.

Maturation

When this spell is cast, the players stop seizing every opportunity to make lame double-entendres and try to reasonably evaluate rules conflicts without rancor or hostility. I seem to have constantly saved against it.

The Jaws Of Set

OK, so, this is awesome. Giant invisible snake jaws appear, biting your enemies for 1-100 points of damage. 100 hit points (remember, this was an era when the largest red dragons had only 88 hit points), moves at double speed, teleports without error, and has AC 2+2, which is AC 0, not AC 4. If you don’t understand why, you’re not Old School. N00b! The summoned jaws last until destroyed, which means, you’ve got invisible jaws that do 1-100 damage and can teleport to any point you wish and go chomp. I wouldn’t memorize any other 10th level spell. Seriously, can you imagine having… wait, how many 10th level spells do you get, anyway? There’s no rules for magic-users in this book, and none of the official D&D books gave you more than 9th level spells, no matter how high level your character was. Sigh. Yet another example of where the local house rules were so internalized the authors forgot to include them.

Eleventh Level Spells

Green Beam

I can only imagine this spell was created by DMs for use against players. It targets a magic item, and de-magics it. To restore the item, you need three simultaneous wishes, each cast by a magic-user, not from a scroll or item. This reeks of the got-you-last one-upmanship that most Monty Haul games reached in their final stages. It was very rare for monsters to have magic items in those days, so this is either DM vs. player or player vs. player magic. As is…

Magic Nullification

Simply nullifies all magic items, weapons, armor, power, and abilities for 1-6 rounds, save for half duration. Again, the main focus here seems to be to let the DM kill a player… I mean, a character… who is wrapped in so many magic items they can’t be easily thwarted.

Call Of The Comet

You call a comet. You designate a landing zone within 240′ of you when you cast it, then skedaddle. 1d6 days later, a comet appears. Based on the roll, it can be anything from pea-sized, doing 1d6, to 100′ feet in diameter, doing 100d6 and leaving a mile-wide crater. (Presumably, it does the damage to everyone within a half mile of the impact point.)

Probably really sucks if you wait six days then get a comet that’s about as impressive as a slingshot pellet.

For the mid-range effects, a standard issue fireball does about as much damage and doesn’t take days to show up. This spell is one of those “But.. but… it’s a comet!” things, where the sheer awesomeness of the concept distracted the designers from the utility of the spell itself.

Mass Insanity

This spell causes 10 x the caster’s level people within a one mile area to go insane, rolling on a chart to determine Paranoia, Schizophrenia, Sexual Perversion (what? No detailed subchart for that? Son, I am disappoint), etc. The description notes that it’s useful for livening up dull little hamlets. (And possibly dull little MacBeths, I suppose. Badum BUM!)

Twelfth Level Spells

The Sorcerer’s Spacecraft

A magical spaceship

Spelljammer, This Ain’t

So, how do you get into space to fight Galactic Dragons? With this, of course, which makes this an amazingly stupid spell to cast. Why give the DM any excuse to throw one of those TPK nightmares at you? Anyway, conjures spaceship, magically controlled flying saucer, top deck is good for cocktail parties which are things the typical D&D player of 1978 may have heard of but would never be invited to, speed is 10 million MPH, which pretty much means it’s limited to in-system travel (kind of surprising, really, you’d think there’d be an FTL drive. Maybe the designers thought that wouldn’t be realistic. You laugh, but I’ve seen far sillier debates).

Genocide

Ah, now we’re getting somewhere! Uhm… no we’re not. This spell kills 10 times the caster’s level in humans. (Only humans? What if I want to destroy the Elven Menace, before they destroy us?) Assuming that casting 12th level spells requires being 24th or 25th level, that’s still only about 250 people. That’s not “genocide”, that’s “a typical summer in Chicago”. There are many less powerful spells that will kill many more people. The spell also notes that “a save results in no effect”. Does this mean each target saves individually? Damn, that’s a lot of rolling.

The Black Forest

This spell conjures ham, pickles, assorted mustards, and… no, wait. This spell creates a square mile of Evil Forest, which is exactly what you need to surround your Evil Wizard Tower. It springs up overnight, and also gives you 1-100 giant spiders, 1-100 evil ents, and 1-100 orcs, all under your control. Nothing in the spell description says it can only be cast in specific locations, so I’d cast it in the heart of a major city. In one night, the entire city is destroyed by the magical trees, and the survivors are hunted down by my spiders, ents, and orcs. Bwahahah! I’ll bet I kill a lot more people than that “genocide” spell does. Oooh, what a misnomer! I’m still pissed at that. Nearly as pissed as I was that time I went into the “Virgin Megastore”. Talk about false advertising! Where was I?

Soul Drain Deflection

This spell lets you pick someone else to be the target of any soul-draining effect cast on you. There’s no indication they need to be willing, or get a saving throw. The possibilities for amusement should be self-evident.

Summoning Of The Black Hole

A black hole is summoned. All in the area are sucked into it, and deposited into deep space, requiring three simultaneously cast wishes to bring them back. Presumably, they also get killed in the process of going through the singularity, though that’s not spelled out. (Argument time!) Those who do make their save are merely compressed to a piece of matter about a millimeter in size. I’d guess you only need a single Wish, or even a bog-standard Resurrection spell, to restore them to life.

And So, It Ends

Thus, we come to the end of the Necromican walkthrough. I really wish Fantasy Art Enterprises had made more books. There are rumors some of them went on to real jobs, or might have met girls, or otherwise were distracted from producing works of singular awesometude. Sic transit gloria mundi.  (“Gloria is ill on the subway on Monday.”)

Oh, and this is for an earlier spell, and I think I may have included it anyway, but, just in case I haven’t, here it is:

Thoth Amon's Organ Request

Thoth Amon’s Organ Request

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Quick Link: Cool Star Rovers minis!

Since a comment on an old article may be missed by both my fans, here’s a link to awesome Not Star Wars Really They’re Not Honest Mr. Lucas Don’t Sue Us minis for Star Rovers!

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Monopoly & D&D

OK, this is going to be very brief, because every second of spare time I have is devoted to looking at cute cat gifs on Buzzfeed writing Rogue Planet.

I’ve commented, often, that the perception of AD&D as being “rules light” has more to do with how many of the rules are ignored, vs. what playing the rules would actually be like. D&D 3e, and its successors, didn’t so much add in “restrictions” as provide rules for actions that were generally playable and well-integrated into the system. (As a simple comparison, using the unarmed combat rules in AD&D required information that, in many cases, the system didn’t provide — such as whether the hobgoblin you’re fighting was wearing a nasal helmet or not. No, I am not making that up. Go check your AD&D 1e DMG.)

Over time, the conflation of “how we played AD&D” with “how AD&D was actually written” has become so great that some people a)Get outraged when I point out, with quotes and page references, that they’re wrong, and b)Insist, and I swear upon whatever shreds of honor and self-esteem I have left that this is a near-virtual paraphrase, not in any way a distortion of meaning, “Playing AD&D by the rules was contrary to the rules.”.

Anyway, there’s a moment of faux-outrage going on over at Gizmodo over some new edition of Monopoly. What’s interesting and relevant is the comments thread, where there’s a debate over whether you collect rent while in jail. Many people insisted, loudly, that you don’t, and that anyone who says otherwise “playing wrong”. Sorry, no. Other way around. The RAW for Monopoly have always said you collect rent while in Jail. Not collecting rent in Jail is a house rule so common, people have confused it with the real rules, which they never read. The game is taught mostly by oral tradition, just like D&D was back in Ye Olde Dayse.

Before I discovered D&D, I was a big Monopoly fan. I bought books on Monopoly strategy — yes, they existed — and memorized various tables on the odds of landing on different squares. (Boardwalk/Park Place are for suckers. The violet-tan-red sequence is the best intersection of probability and ROI.) I took great delight in bringing up the letter of the rules when dealing with those who didn’t know them. (For example, other than in the early game, there’s no good reason to “get out of Jail” early — having three turns where there’s no risk of landing on someone else’s property, while you still collect rent, is great. Remember that, and get some sucker to pay you good money for your GOOJF card.)

Anyway, my point, such as it is, is how the same patterns of behavior assert themselves in countless contexts. People rarely verify their memory against source documents, and often act irrationally when confronted with the conflict — as if being human is a moral failing. The human brain evolved for a much more soft-edged world than ours. Our storage and retrieval mechanisms are “good enough”, because there’s rapidly diminishing returns in increasing accuracy at the cost of speed and storage space. Human memory is very fallible, and the more you reference a distorted memory, the more reinforced the neural pattern that contains it becomes. I suspect that people’s often hostile reaction to being shown that they’re wrong is due to the brain, in essence, protecting its investment in false information. It’s spent a lot of energy digging those neural channels, and to be told that it needs to tear them all up and start over triggers a “double down” reaction. (This is also why, the more implausible and ridiculous something gets, from conspiracy theories to Nigerian scammers to Ponzi schemes, the more fervently people believe. The brain, much like a con artist caught in a lie, can’t just admit the lie, and so frantically piles on one lie after another — except that it’s itself it’s lying to.)

Humanity is badly broken, and there’s no patch forthcoming.

The human brain is bugged.

Patch is not yet available. Please check back.

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